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As a special group belonging to the same type one can mention the formation of proper nouns from common nouns chiefly in toponymies, i.e. place names. E. g.: the City — the business part of London; the Highlands — the mountainous part of Scotland; Oxford — University town in England (from ox + ford, i.e. a place where oxen could ford the river); the Tower (of London) —originally a fortress and palace, later a state prison, now a museum.

In the above examples the change of meaning occurred without change of sound form and without any intervention of morphological processes. In many cases, however, the two processes, semantic and morphological, go hand in hand. For instance, when considering the effect of the agent suffix -ist added to the noun stem art  we might expect the whole to mean ‘any person occupied in art, a representative of any kind of art’, but usage specialises the meaning of the word artist and restricts it to a synonym of painter. Cf. tranquilliser, tumbler, trailer.

The process reverse to specialisation is termed generalisation and widening of meaning. In that case the scope of the new notion is wider than that of the original one (hence widening), whereas the content of the notion is poorer. In most cases generalisation is combined with a higher order of abstraction than in the notion expressed by the earlier meaning. The transition from a concrete meaning to an abstract one is a most frequent feature in the semantic history of words. The change may be explained as occasioned  by situations in which not all the features of the notions rendered are of equal importance for the message.

Thus, ready < OE ræde (a derivative of the verb ridan ‘to ride’) meant ‘prepared for a ride’. Fly originally meant ‘to move through the air with wings’; now it denotes any kind of movement in the air or outer space and also very quick movement in any medium . See also pirate, originally ‘one who robs on the sea’, by generalisation it came to mean ‘any one who robs with violence’.

The process of generalisation went very far in the complicated history of the word thing. Its etymological meaning was ‘an assembly for deliberation on some judicial or business affair’, hence — ‘a matter  brought before this assembly’ and ‘what was said or decided upon’, then ‘cause’, ‘object’, ‘decision’. Now it has become one of the most general words of the language, it can substitute almost any noun, especially non-personal noun and has received a pronominal force. Cf. something, nothing, anything, as in Nothing has happened yet.

Not every generic word comes into being solely by generalisation, other processes of semantic development may also be involved in words borrowed from one language into another. The word person, for instance, is now a generic term for a human being: editor — a person who prepares written material for publication; pedestrian — a person who goes on foot; refugee — a person who has been driven from his home country by war. The word person was borrowed into Middle English from Old French, where it was persone and came from Latin persona = ‘the mask used by an actor’, ‘one who plays a part’, ‘a character in a play’. The motivation of the word is of interest. The great theatre spaces in ancient Rome made it impossible for the spectators to see the actor’s face and facial changes. It was also difficult to hear his voice distinctly. That is why masks with a megaphonic  effect were used. The mask was called persona from Lat. per=through and sonare=to sound. After the term had been transferred (metonymically) to the character represented, the generalisation to any human being came quite naturally. The process of generalisation and abstraction is continuing so that in the 70s person becomes a combining form substituting the semi-affix -man (chairperson, policeperson, salesperson, workperson). The reason for this is a tendency to abolish  sex discrimination in job titles. The plural of compounds ending in -person may be -persons or -people: businesspeople or businesspersons.

In fact all the words belonging to the group of generic terms fall into this category of generalisation. By generic terms we mean non-specific terms applicable to a great number of individual members of a big class of words. The grammatical categoric meaning of this class of words becomes predominant in their semantic components.

It is sometimes difficult to differentiate the instances of generalisation proper from generalisation combined with a fading of lexical meaning ousted  by the grammatical or emotional meaning that take its place. These phenomena are closely connected with the peculiar characteristics of grammatical structure typical of each individual language. One observes them, for instance, studying the semantic history of the English auxiliary and semi-auxiliary verbs, especially “have, do, shall, will, turn, go” and that of some English prepositions and adverbs which in the course of time have come to express grammatical relations. The weakening of lexical meaning due to the influence of emotional force is revealed in such words as awfully, terribly, terrific, smashing.

“Specialisation” and “generalisation” are thus identified  on the evidence of comparing logical notions expressed by the meaning of words. If, on the other hand, the linguist is guided by psychological considerations and has to go by the type of association at work in the transfer of the name of one object to another and different one, he will observe that the most frequent transfers are based on associations of similarity , or of contiguity . As these types of transfer are well known in rhetoric as figures of speech called metaphor (Gr. metaphora < meta ‘change’ and pherein ‘bear’) and metonymy (Gr metonymia < meta ‘change’ and onoma/onytna ‘name’), the same terms are adopted here. A metaphor is a transfer of name based on the association  of similarity and thus is actually a hidden comparison. It presents a method of description which likens one thing to another by referring to it as if it were some other one. A cunning person for instance is referred to as “a fox”. A woman may be called “a peach, a lemon, a cat, a goose, a bitch, a lioness”, etc.

In a metonymy, this referring to one thing as if it were some other one is based on association of contiguity  (a woman —a skirt). Sean O'Casey in his one-act play “The Hall of Healing” metonymically names his personages  according to the things they are wearing: Red Muffler , Grey Shawl , etc. Metaphor and metonymy differ from the two first types of semantic change, i.e. generalisation and specialisation, inasmuch  as they do not result in hyponymy (the relation of a word to another word of which the former is a hyponym – a word whose meaning implies or is included in that of another e.g. scarlet and tulip, in relation to red and flower respectively) and do not originate as a result of gradual almost imperceptible  change in many contexts, but come of a purposeful momentary transfer of a name from one object to another belonging to a different sphere of reality.

In all discussion of linguistic metaphor and metonymy it must be borne in mind that they are different from metaphor and metonymy as literary devices. When the latter are offered and accepted both the author and the reader are to a greater or lesser degree aware that this reference is figurative, that the object has another name. The relationship of the direct denotative meaning of the word and the meaning it has in a particular literary context is based on similarity of some features in the objects compared. The poetic metaphor is the fruit of the author’s creative imagination, as for example when England is called by Shakespeare (in “King Richard II") “this precious stone set in the silver sea”.

The term poetic here should not be taken as ‘elevated’, because a metaphor may be used for satirical purposes and be classed as poetic. Here are two examples:

The world is a bundle of hay,

Mankind are the asses who pull (Byron).

Though women are angels, yet wedlock’s  the devil (Byron).

Every metaphor is implicitly of the form ‘X is like Y in respect of Z’. Thus we understand Byron’s line as ‘women are like angels, so good they are, but wedlock is as bad as the devil’. The words “world, mankind, women, wedlock”, i.e. what is described in the metaphor, are its tenor , while “a bundle of hay, asses, angels, the devil” are the vehicle, that is they represent the image that carries a description and serves to represent the tenor. The third element Z is called the ground of the metaphor. In the second example the ground is ‘good’ (used ironically) and ‘bad’. The ground, that is the similarity between the tenor and vehicle, in a metaphor is implied, not expressed.

The ground of the metaphors in the examples that follow is the insincerity of the smiles that Gr. Greene mocks at: “he excavated  his smile; the woman hooked on another smile as you hook on a wreath; she whipped  up a smile from a large and varied stock” (Greene). (Examples are borrowed from V. K. Tarasova’s work.)

In a linguistic metaphor, especially when it is dead as a result of long usage, the comparison is completely forgotten and the thing named often has no other name: foot (of a mountain), leg (of a table), eye (of a needle), nose (of an aeroplane), back (of a book).

Transfer of names resulting from tropes (figurative use of words) has been classified in many various ways. Out of the vast collection of terms and classifications we mention only the traditional group of rhetorical categories: metaphor, metonymy, hyperbole, litotes, euphemism, because it is time-honoured and every philologist must be acquainted with it, even if he does not accept it as the best possible grouping.

The meaning of such expressions as a sun beam or a beam of light are not explained by allusions  to a tree, although the word is actually derived from OE beam ‘tree’ || Germ Baum, whence the meaning beam ‘a long piece of squared timber supported at both ends’ has also developed. The metaphor is dead. There are no associations with hens in the verb brood ‘to meditate’ (often sullenly ), though the direct meaning is ‘to sit on eggs’.

There may be transitory stages: a bottleneck  ‘any thing obstructing an even flow of work’, for instance, is not a neck and does not belong to a bottle. The transfer is possible due to the fact that there are some common features in the narrow top part of the bottle, a narrow outlet for road traffic, and obstacles interfering with the smooth working of administrative machinery. The drawing of sharp demarcation lines between a dead metaphor and one that is alive in the speaker’s mind is here impossible.

Metaphors, H. Paul points out, may be based upon very different types of similarity, for instance, the similarity of shape: head of a cabbage, the teeth of a saw. This similarity of shape may be supported by a similarity of function. The transferred meaning is easily recognised from the context: The Head of the school, the key to a mystery. The similarity may be supported also by position: foot of a page/of a mountain, or behaviour and function: bookworm, wirepuller . The word whip — ‘a lash used to urge horses on’ is metaphorically transferred to an official in the British Parliament appointed by a political party to see that members are present at debates, especially when a vote is taken, to check the voting and also to advise the members on the policy of the respective party.

In the leg of the table the metaphor is motivated by the similarity of the lower part of the table and the human limb in position and partly in shape and function. Anthropomorphic metaphors are among the most frequent. The way in which the words denoting parts of the body are made to express a variety of meanings may be illustrated by the following: head of an army/of a procession/of a household; arms and mouth of a river, eye of a needle, foot of a hill, tongue of a bell and so on and so forth. The transferred meaning is easily recognised from the context: ...her feet were in low-heeled brown brogues with fringed tongues (Plomber).

Numerous cases of metaphoric transfer are based upon the analogy between duration of time and space,  e. g. long distance : : long speech; a short path : : a short time.

The transfer of space relations upon psychological and mental notions may be exemplified  by words and expressions concerned with understanding: to catch (to grasp) an idea; to take a hint; to get the hang of; to throw light upon.

This metaphoric change from the concrete to the abstract is also represented in such simple words as score, span, thrill. Score  comes from OE scoru ‘twenty’ < ON skor ‘twenty’ and also ‘notch ’. In OE time notches were cut on sticks to keep a reckoning. As score is cognate with shear, it is very probable that the meaning developed from the twentieth notch that was made of a larger size. From the meaning ‘line’ or ‘notch cut or scratched down’ many new meanings sprang out, such as ‘number of points made by a player or a side in some games’, ‘running account’, ‘a debt’, ‘written or printed music’, etc. Span  < OE spann — maximum distance between the tips of thumb and little finger used as a measure of length — came to mean ‘full extent  from end to end’ (of a bridge, an arch, etc.) and ‘a short distance’. Thrill  < ME thrillen ‘to pierce’ developed into the present meaning ‘to penetrate with emotion.'

Another subgroup of metaphors comprises transitions of proper names into common ones: an Adonis, a Cicero, a Don Juan, etc. When a proper name like Falstaff is used referring specifically to the hero of Shakespeare’s plays it has a unique reference. But when people speak of a person they know calling him Falstaff they make a proper name generic for a corpulent, jovial, irrepressibly impudent person and it no longer denotes a unique being. Cf. Don Juan as used about attractive profligates . To certain races and nationalities traditional characteristics have been attached by the popular mind with or without real justification. If a person is an out-and-out mercenary and a hypocrite or a conformist into the bargain they call him a Philistine, ruthlessly  destructive  people are called Vandals, Huns, unconventional  people — Bohemians.

As it has been already mentioned, if the transfer is based upon the association of contiguity it is called metоnуmy. It is a shift of names between things that are known to be in some way or other connected in reality or the substitution of the name of an attribute of a thing for the name of the thing itself. Thus, the word book is derived from the name of a tree on which inscriptions were scratched . ModE win <OE winnan ‘to fight’; the word has been shifted so as to apply to the success following fighting. Cash is an adaptation of the French word casse ‘box’; from naming the container it came to mean what was contained, i.e. money; the original meaning was lost in competition with the new word safe. The transfer may be conditioned by spatial, temporal, causal, symbolic, instrumental, functional and other connections. The resulting polysemy is called regular because it embraces whole classes of words.

Regular spatial relations are, for instance, present when the name of the place is used for the people occupying it. The chair may mean the chairman, the bar— the lawyers, the pulpit— the priests. The word town may denote the inhabitants of a town and the House — the members of the House of Commons or of Lords.

A causal relationship is obvious in the following development: ModE fear < ME fere/feer/fer < OE fær ‘danger’, ‘unexpected attack’. States and properties serve as names for objects and people possessing them: youth, age, authorities, forces. The name of the action can serve to name the result of the action: ModE kill < ME killen ‘to hit on the head’, ModE slay < Germ schlagen. Emotions may be named by the movements that accompany them: frown, start. These last cases are studied in paralinguistics.

There are also the well-known instances of symbol for thing symbolised: the crown for monarchy; the instrument for the product: hand for handwriting; receptacle  for content, as in the word kettle (cf. the kettle is boiling), and some others. Words denoting the material from which an article is made are often used to denote the particular  article: glass, iron, copper , nickel  are well known examples.

The pars pro toto (also a version of metonymy) where the name of a part is applied to the whole may be illustrated by such military terms as the royal horse for cavalry and foot for infantry, and by the expressions like “I want to have a word with you”. The reverse process ( totum pro parte ) is observed when OE ceol ‘a ship’ develops into keel — ‘a lowest longitudinal frame of a ship’.

A place of its own within metonymical change is occupied by the so-called functional change. The type has its peculiarities: in this case the shift is between names of things substituting one another in human practice. Thus, the early instrument for writing was a feather or more exactly a quill (OE pen < OFr penne < It penna < Lat penna ‘feather’). We write with fountain-pens that are made of different materials and have nothing in common with feathers except the function, but the name remains. The name rudder comes from OE roder ‘oar’ || Germ Ruder ‘oar’. The shift of meaning is due to the shift of function: the steering was formerly achieved by an oar. The steersman was called “pilot”; with the coming of aviation one who operates the flying controls of an aircraft was also called “pilot”. For more cases of functional change see also the semantic history of the words: filter, pocket, spoon, stamp, sail v.

Common names may be metonymically derived from proper names as in macadam — a type of pavement named after its inventor John McAdam (1756-1836) and diesel or diesel engine — a type of compression ignition engine invented by a German mechanical engineer Rudolf Diesel (1858-1913). The process of nomination includes ellipsis (Diesel engine — diesel).

Many international physical and technical units are named after great scientists, as for instance ampere — the unit of electrical current after André Marie Ampère (1775-1836), a great French mathematician and physicist. Compare also: ohm, volt, watt, etc.

Transfers by contiguity often involve place names. There are many instances in political vocabulary when the place of some establishment is used not only for the establishment itself or its staff but also for its policy. The White House is the executive mansion of the president of the USA in Washington, the name is also used for his administration and politics. Similarly The Pentagon, so named, because it is a five-sided building, denotes the US military command and its political activities, because it contains the USA Defence Department and the offices of various branches of the US armed forces. Wall Street is the name of the main street in the financial district of New York and hence it also denotes the controlling financial interests of American business.

The same type is observed when we turn to Great Britain. Here the British Government of the day is referred to as Downing Street because the Prime Minister’s residence is at No 10 Downing Street. The street itself is named after a 17th century British diplomat.

An interesting case is Fleet Street — a thoroughfare in central London along which many British newspaper offices are located, hence Fleet Street means British journalism. The name of the street is also metonymical but the process here is reversed — a proper toponymical noun is formed from a common noun: “fleet” is an obsolete term for ‘a creek or an inlet in the shore’. Originally the street extended along a creek.

Examples of geographical names, turning into common nouns to name the goods exported or originating there, are exceedingly numerous. Such transfer by contiguity is combined with ellipsis in the nomination of various stuffs and materials: “astrakhan” (fur), “china” (ware), “damask” (steel), “holland” (linen), “morocco” (leather).

The similarly formed names for wines or kinds of cheese are international as, for instance: champagne, burgundy, madeira; brie cheese, cheddar, roquefort, etc.

Sometimes the semantic connection with place names is concealed by phonetic changes and is revealed by etymological study. The word jeans can be traced to the name of the Italian town Genoa, where the fabric of which they are made was first manufactured. Jeans is a case of metonymy, in which the name of the material jean is used to denote an object made of it. This type of multiple transfer of names is quite common (cf. china, iron, etc.). The cotton fabric of which jeans are made was formerly used for manufacturing uniforms and work clothes and was known for several centuries as “jean” (from Med Lat Genes, Genoa).

The process can consist of several stages, as in the word cardigan — a knitted jacket opening down the front. Garments are often known by the names of those who brought them into fashion. This particular jacket is named after the seventh earl of Cardigan whose name is from Cardigan or Cardiganshire, a county in Wales.

Other examples of denominations after famous persons are raglan and Wellingtons. Raglan — a loose coat with sleeves extending in one piece to the neckline — is named after field-marshal lord Raglan; Wellingtons or Wellington boots — boots extending to the top of the knee in front but cut low in back — were popularised by the first Duke of Wellington.

Following the lead of literary criticism linguists have often adopted terms of rhetoric for other types of semantic change, besides metaphor and metonymy. These are: hyperbole, litotes, irony, euphemism. In all these cases the same warning that was given in connection with metaphors and metonymy must be kept in mind: namely, there is a difference between these terms as understood in literary criticism and in lexicology. Hyperbole (from Gr hyperbolē ‘exceed’) is an exaggerated statement not meant to be understood literally but expressing an intensely emotional attitude of the speaker to what he is speaking about. E. g.: A fresh egg has a world of power (Bellow). The emotional tone is due to the illogical character in which the direct denotative and the contextual emotional meanings are combined.

A very good example is chosen by I. R. Galperin from Byron, and one cannot help borrowing it:

When people say “I’ve told you fifty times,” 

They mean to scold and very often do.

The reader will note that Byron’s intonation is distinctly colloquial, the poet is giving us his observations concerning colloquial expressions. So the hyperbole here, though used in verse, is not poetic but linguistic.

The same may be said about expressions like: It’s absolutely maddening, You’ll be the death of me, I hate troubling you, It’s monstrous, It’s a nightmare, A thousand pardons, A thousand thanks, Haven’t seen you for ages, I'd give the world to, I shall be eternally grateful, I'd love to do it, etc.

The most important difference between a poetic hyperbole and a linguistic one lies in the fact that the former creates an image, whereas in the latter the denotative meaning quickly fades out and the corresponding exaggerating words serve only as general signs of emotion without specifying the emotion itself. Some of the most frequent emphatic words are: absolutely! lovely! magnificent! splendid! marvellous! wonderful! amazing! incredible! and so on.

The reverse figure is called litotes (from Gr litos ‘plain’, ‘meagre ’) or understatement. It might be defined as expressing the affirmative by the negative of its contrary, e. g. not bad or not half bad for ‘good’, not small for ‘great’, no coward for ‘brave’. Some understatements do not contain negations, e. g. rather decent; I could do with a cup of tea. It is, however, doubtful whether litotes should be considered under the heading of semantic change at all, because as a rule it creates no permanent change in the sense of the word used and concerns mostly usage and contextual meaning of words. Understatement expresses a desire to conceal or suppress one’s feelings, according to the code of reserve, and to seem indifferent and calm. E. g.: