Лекции по "Английскому языку"

Phraseology

Part 1

Phraseological unit is a non-motivated word-group that cannot be freely made up in speech but is reproduced as a ready made unit.

Reproducibility is regular use of phraseological units in speech as single unchangeable collocations.

Idiomaticity is the quality of phraseological unit, when the meaning of the whole is not deducible from the sum of the meanings of the parts.

Stability of a phraseological unit implies that it exists as a ready- made linguistic unit which does not allow of any variability of its lexical components of grammatical structure.

1. In lexicology there is great ambiguity of the terms phraseology and idioms . Opinions differ as to how phraseology should be defined, classified, described and analysed. The word "phraseology has very different meanings in this country and in Great Britain or the United States, In linguistic literature the term is used for the expressions where the meaning of one element is dependent on the other, irrespective of the structure and properties of the unit (V.V. Vinogradov); with other authors it denotes only such set expressions which do not possess expressiveness or emotional colouring (A.I. Smirnitsky), and also vice versa: only those that are imaginative, expressive and emotional (I.V.Arnold). N.N. Amosova calls such expressions fixed context units, i.e. units in which it is impossible to substitute any of the components without changing the meaning not only of the whole unit but also of the elements that remain intact. O.S. Ahmanova insists on the semantic integrity of such phrases prevailing over the structural separateness of their elements. A.V. Koonin lays stress on the structural separateness of the elements in a phraseological unit, on the change of meaning in the whole as compared with its elements taken separately and on a certain minimum stability.

In English and American linguistics no special branch of study exists, and the term "phraseology" has a stylistic meaning, according to Webster's dictionary 'mode of expression, peculiarities of diction, i.e. choice and arrangement of words and phrases characteristic of some author or some literary work'.

Difference in terminology ("set-phrases", "idioms", "word-equivalents") reflects certain differences in the main criteria used to distinguish types of phraseological units and free word-groups. The term "set phrase" implies that the basic criterion of differentiation is stability of the lexical components and grammatical structure of word-groups.

The term "idiom" generally implies that the essential feature of the linguistic units is idiomaticity or lack of motivation.

The term "word-equivalent" stresses not only semantic but also functional inseparability of certain word groups, their aptness to function in speech as single words.

The essential features of phraseological units are: a) lack of semantic motivation; b) lexical and grammatical stability.

As far as semantic motivation is concerned phraseological units are extremely varied from motivated (by simple addition of denotational meaning) like a sight for sore eyes and to know the ropes, to partially motivated (when one of the words is used in a not direct meaning) or to demotivated (completely non-motivated) like tit for tat, red-tape.

Lexical and grammatical stability of phraseological units is displayed in the fact that no substitution of any elements whatever is possible in the following stereotyped (unchangeable) set expressions, which differ in many other respects; all the world and his wife, red tape, calf love, heads or tails, first night, to gild the pill, to hope for the best, busy as a bee, fair and square, stuff and nonsense time and again, to and fro.

In a free phrase the semantic correlative ties are fundamentally different. The information is additive and each element has a much greater semantic independence Each component may be substituted without affecting the meaning of the other: cut bread, cut cheese, eat bread. Information is additive in the sense that the amount of information we had on receiving the first signal, i.e. having heard or read the word cut, is increased, the listener obtains further details and learns what is cut. The reference of cut is unchanged Every notional word can form additional syntactic ties with other words outside the expression. In a set expression information furnished by each element is not additive: actually it does not exist before we get the whole. No substitution for either cut or figure can be made without completely ruining the following:

I had an uneasy fear that he might cut a poor figure beside all these clever Russian officers (Shaw). He was not managing to cut much of a figure (Murdoch)

The only substitution admissible for the expression cut a poor figure concerns the adjective.

2. Semantic approach stresses the importance of idiomaticity, functional - syntactic inseparability, contextual - stability of context combined with idiomaticity.
3. In his classification of V.V. Vinogradov developed some points first advanced by the Swiss linguist Charles Bally The classification is based upon the motivation of the unit, i.e. the relationship existing between the meaning of the whole and the meaning of its component parts. The degree of motivation is correlated with the rigidity, indivisibility and semantic unity of the expression, i.e with the possibility of changing the form or the order of components, and of substituting the whole by a single word. According to the type of motivation three types of phraseological units are suggested, phraseological combinations, phraseological unities, and phraseological fusions.

The Phraseological Collocations (Combinations), are partially motivated, they contain one component used in its direct meaning while the other is used figuratively: meet the demand, meet the necessity, meet the requirements.

Phraseological unities are much more numerous. They are clearly motivated. The emotional quality is based upon the image created by the whole as in to stick (to stand) to one's guns, i.e. refuse to change one's statements or opinions in the face of opposition', implying courage and integrity. The example reveals another characteristic of the type, the possibility of synonymic substitution, which can be only very limited, e. g. to know the way the wind is blowing.

Phraseological fusions, completely non-motivated word-groups, (e.g. tit for tat), represent as their name suggests the highest stage of blending together. The meaning of components is completely absorbed by the meaning of the whole, by its expressiveness and emotional properties. Phraseological fusions are specific for every language and do not lend themselves to literal translation into other languages.

5. Semantic stylistic features contracting set expressions into units of fixed context are simile, contrast, metaphor and synonymy. For example: as like as two peas, as оld as the hills and older than the hills (simile); from beginning to end, for love or money, more or less, sooner or later (contrast); a lame duck, a pack of lies, arms race, to swallow the pill, in a nutshell (metaphor); by leaps and bounds, proud and haughty (synonymy). A few more combinations of different features in the same phrase are: as good as gold, as pleased as Punch, as fit as a fiddle (alliteration, simile); now or never, to kill or cure (alliteration and contrast). More rarely there is an intentional pun: as cross as two sticks means 'very angry'. This play upon words makes the phrase jocular. The comic effect is created by the absurdity of the combination making use of two different meanings of the word cross a and n.

There are, of course, other cases when set expressions lose their metaphorical picturesqueness, having preserved some fossilised words and phrases, the meaning of which is no longer correctly understood. For instance, the expression buy a pig in a poke may be still used, although poke 'bag' (cf. pouch, pocket) does not occur in other contexts. Expressions taken from obsolete sports and occupations may survive in their new figurative meaning. In these cases the euphonic qualities of the expression are even more important. A muscular and irreducible phrase is also memorable. The muscular feeling is of special importance in slogans and battle cries. Saint George and the Dragon for Merrie England, the medieval battle cry, was a rhythmic unit to which a man on a horse could swing his sword. The modern Scholarships not battleships! can be conveniently scanned by a marching crowd.

 

Exercise 1.

Explain the meaning of the following combinations of words: a) as free word combinations and b) as phraseological units.

Be on firm ground, best man, the bird has flown, black ball, blow one's own trumpet (horn), break the ice, burn one's fingers, first night, keep one's head above water, meet smb. half-way, show smb. the door, run straight, touch bottom, throw dust in one's eyes, throw fat in the fire. Exercise 2.

State which of the phraseological units are a) fusions b) unities c) collocations (combinations ).

Bark up the wrong tree, air one's views, turn a blind eye to smth., to hit below the bolt, to lower one's colours, to make a mistake, once in a blue moon, to make haste, sharp words, to stick to one's guns, to know the way the wind is blowing, small talk, take the bull by the horns, pull smb's leg, cat's paw, lady's man, by heart, green room.

 

Exercise 3.

Match the combinations on the left with explanations on the right:

1. put through a) at the centre of public attention
2. put in a good word for  b) immediately or at the place of action
3. on the spot c) connect by telephone
4. bring up d) tolerate, endure
5. have your back against the wall e) explain or communicate clearly
6. in the spotlight f) consider carefully, assess
7. put up with g) recommend someone
8. put across h) raise, mention a matter

9) weigh up i) say something irrelevant

10) get away from the point j) be in a difficult situation

 

Exercise 4.

Read an excerpt from Professor Adam Makkai's introduction to a Dictionary of American Idioms on the problem of roots of the English language prominent idiomaticity.

"Why is English, and especially American English, so heavily idiomatic? The most probable reason is that as we develop new concepts, we need new expressions for them, but instead of creating a brand new word from the sounds of the language, we use some already existent words and put them together in a new sense. This, however, appears to be true of all known languages. There are, in fact, no known languages that do not have some idioms.

In learning idioms, though, a person may make an incorrect guess. Consider the idiom Oh well, the die is cast! What would you guess it means - in case you don't know it? Perhaps you may guess that the speaker you heard is acquiescing in something because of the Oh well part. The expression means 'I made an irreversible decision and must live with it'. You can now try to reconstruct how this idiom came into being: the image of the die that was cast in gambling cannot be thrown again; that would be illegal; whether you have a one, a three, or a six, you must face the consequences of your throw, that is win or lose, as the case may be, (Some people may know that the phrase was used by Caesar when he crossed the Rubicon, an event that led to war.)"

 

Exercise 5.

In the list below find set expressions, corresponding to the following definitions.

1. Express one's opinion openly, often with the suggestion of doing so to the annoyance of other people. 2. Direct one's attack, criticism or efforts to the wrong quarter. 3. Bear the3 main stress or burden ( of a task, contest, etc.). 4. Talk around the point instead of coming direct to the subject. 5. Fail to carry out one's promise. 6. Change ownership (generally used of a business). 7. Constantly follow smb. importunately, thrust one's presence upon smb. 8. Fail to gain any information, or achieve any result from inquiries, investigation, etc. 9. Be docile; give no trouble; do whatever smb. wishes. 10. Pay all the expenses incurred. 11. Do smth. completely; not stop at half-measures. 12. Give in, surrender. 13. Be almost decided to do smth. 14. State the real facts about a situation, guess accurately. 15. Push oneself in front of a queue in order to get on to a vehicle, or to get served with goods before one's turn. 16. Remain mentally calm, and keep control of oneself in an emergency or a difficult situation. 17. Know, from experience, the best way or method of doing something. 18. Help, assist. 19. Indulge in strong or violent language to relieve one's feelings. 20. Pass the time by continuing some kind of work or activity without getting any father in it. 21. Draw an inference from given facts. 22. Be in agreement, hold similar views. 23. Run away hurriedly. 24. Ignore smth., pretend not to see it, 25. Disclaim further responsibility or concern.

The list:

Jump the queue; bark up the wrong tree; foot the bill; let off steam; see eye to eye; air one's views; lend a hand; haul down one's flag; beat about the bush; take to one's heels; eat out of smb's hand; mark time; hit the nail on the head; keep ode's head; change hands; turn a blind eye to smth.; put two and two together; bear the brunt; know the ropes; have a good mind to do smth ; break one's word; draw a blank; go the whole hog; dog smb's footsteps; wash one's hands of smth.